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  Private Collecting, Exhibitions, and the Shaping of Art History in London : The Burlington Fine Arts Club. 

The Burlington Fine Arts Club was founded in London in 1866 as a gentlemen\'s club with a singular remit - to exhibit members\' art collections. Exhibitions were proposed, organized and furnished by a group of prominent members of British society who included aristocrats, artists, bankers, politicians, and museum curators. Exhibitions at their grand house in Mayfair brought many private collections and collectors to light, using members\' social connections to draw upon the finest and most diverse objects available. Through their unique mode of presentation, which brought museum-style display and interpretation to a grand domestic-style gallery space, they also brought two forms of curatorial and art-historical practice together in one unusual setting, enabling an unrestricted form of connoisseurship, where new categories of art were defined and old ones expanded. The history of this remarkable group of people has yet to be told and is explored here for the first time. Through a framework of exhibition themes ranging from Florentine painting to Ancient Egyptian art, a study of lenders, objects, and their interpretation paints a picture of private collecting activities, connoisseurship and art world practice that is surprisingly diverse and interconnected.

Call No. : N5245 P54 2017
Author : Stacey J. Pierson.
Publisher : -
Published : 2019
Category : -
Page : 213p., : ill, : 26cm
Language : -
Link : -

No.
Barcode
Status
Location
1
000010008427
On shelf
Rating
MARC Information
000 
01986cas##2200205ua#4500 
001 
b00005745 
003 
NDMI 
005 
20180926030003.2 
008 
180926s th ## #0 tha## 
020 
9781138232624 Hbk 
050 
245 
Private Collecting, Exhibitions, and the Shaping of Art History in London : The Burlington Fine Arts Club. 
260 
London ; New York, : Routledge, Taylor & Francis Group, : 2018. 
300 
213p., : ill, : 26cm 
520 
The Burlington Fine Arts Club was founded in London in 1866 as a gentlemen\'s club with a singular remit - to exhibit members\' art collections. Exhibitions were proposed, organized and furnished by a group of prominent members of British society who included aristocrats, artists, bankers, politicians, and museum curators. Exhibitions at their grand house in Mayfair brought many private collections and collectors to light, using members\' social connections to draw upon the finest and most diverse objects available. Through their unique mode of presentation, which brought museum-style display and interpretation to a grand domestic-style gallery space, they also brought two forms of curatorial and art-historical practice together in one unusual setting, enabling an unrestricted form of connoisseurship, where new categories of art were defined and old ones expanded. The history of this remarkable group of people has yet to be told and is explored here for the first time. Through a framework of exhibition themes ranging from Florentine painting to Ancient Egyptian art, a study of lenders, objects, and their interpretation paints a picture of private collecting activities, connoisseurship and art world practice that is surprisingly diverse and interconnected. 
999 
ห้องคลังความรู้ NDMI 
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